Mesures bibliques : à quelle fréquence la Bible mentionne-t-elle le chant ?

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Bibliographie :

Ariefin, D., Wiriadinata, A. Y., Effendi, D. T., Prihatiningsih, U., & Turnip, G. (2022). Generation Z’s Attitude towards Bible Study in the Disruption Era. Proceedings of the International Conference on Theology, Humanities, and Christian Education (ICONTHCE 2021).

Arifianto, Y. A., Triposa, R., & Lembongan, P. K. (2020). Bible Study of Mission and Discipleship in the Great Commission and Its Implications for Today’s Christian Life. 5, 25–42.

Balentine, S. E. (1993). Prayer in the Hebrew Bible¯: the drama of divine-human dialogue.

Bates, J. (2019). Book Review: Praise, Lament, and Prayer: A Psalter for Singing, volume 1. Anglican Theological Review, 101, 524–525.

Bebbington, D. (2014). The Spiritual Home of W. E. Gladstone: Anne Gladstone’s Bible. Studies in Church History, 50, 343–353.

Belišová, J. (2024). Sounds, Emotions, and the Body in Pentecostal Romani Communities in Slovakia. Religions.

Berger, T. (2021). Women’s Liturgical Practices and Leadership Roles in Early Christian Communities. 180–194.

I. B. (2015). Praise and Worship Singing Insightful Bible Message Time for Prayer Time for Fellowship.

Clements-Cortés, A. (2014). Buddy’s Glee Club Two: Choral Singing Benefits for Older Adults/Buddy’s Glee Club Two¯: Les Bénéfices Du Chant Choral Auprès Des Personnes âGées. 20, 85.

Cunningham, A., Monahan, C., Burns, J., Moss, H., & Kerrigan, A. B. (2024). A community created through group singing: Examining the health benefits of engaging in a hospital community choir. Music and Medicine.

Devalve, J. R. (2019). Gobal and Local: Worship Music and the ‘Logophonic’ Principle, or Lessons from the Songhai. Transformation: An International Journal of Holistic Mission Studies, 36, 219–232.

Dingle, G., Brander, C., Ballantyne, J., & Baker, F. (2013). ‘To be heard’: The social and mental health benefits of choir singing for disadvantaged adults. Psychology of Music, 41, 405–421.

Driver, C. (2013). Worship leading and the systems model of creativity. Stimulus: The New Zealand Journal of Christian Thought and Practice, 20, 38.

Elliott, E. (2023). Bible and Liturgy. Expository Times, 134, 561–562.

Freer, C. (1990). English Metrical Psalms: Poetry as Praise and Prayer, 1535-1601.Rivkah Zim. Renaissance Quarterly, 43, 212–214.

Friar, K. (1999). Changing Voices, Changing Times. Music Educators Journal, 86, 26–29.

Garmaz, J., & Baučić, S. D. (2023). The Benefits of Music in Teaching Catholic Religious Education in Croatia. Religions.

Graumann, T. (2018). Documents, Acts and Archival Habits in Early Christian Church Councils: A Case Study. 273–294.

Holst, S. (2008). Review of Mark McEntire and Joel Emerson,Raising Cain, Fleeing Egypt and Fighting Philistines: The Old Testament in Popular Music: (Macon, GA: Smyth & Helwys, 2006). The Bible and Critical Theory, 4.

Irudayaraj, D. S. (2012). Idol-taunt in Isaiah 44:9-20 Prophetic Construction or Construction of Prophecy? A Dalit/new Historicist Reading.

Johnson, B. J. (2018). Singing Down Walls of Race, Ethnicity, and Tradition in an African American Megachurch. Liturgy, 33, 37–45.

Karim, A. (2017). Hermeneutics of Hymnody: A Comprehensive and Integrated Approach to Understanding Hymns by Scotty Wayne Gray (review). Notes, 73, 554–556.

Kgatle, M. S. (2019). Singing as a therapeutic agent in Pentecostal worship. Verbum et Ecclesia.

Kuryliak, B. (2023). Interpretation of Revelation 13 in the writings of Ellen White. Multiversum. Philosophical Almanac.

Leite, E. (2021). The Intersection Between Art , Music , and Society Musical Iconography ’ s Social Dynamics Impact 1.

Loko, O. O. (2023). Traditions and innovations in the liturgical music of the Cherubim and Seraphim Movement Church (Ayo ni o) Lagos state. African Musicology Online.

Mandal, S. (2022). An Arab Indonesian Singing Preacher, an Islamic Mass Concert, and the Historic Capture of a Public Space in Malaysia. Asian Studies Review, 48, 36–53.

Manrique, J. M., & Gutierrez, A. (2021). Ensemble singing for wellbeing and social inclusion of street children. Together in Music.

Marek, A., & Lisiecki, T. (2024). Flourishing through Prayer by Singing in a Liturgical Choir. Religions.

Massey, K. (1999). Christian Education Developments in the 20th Century. Review & Expositor, 96, 411–422.

Michels, D. (2015). Digital Faith: Law, Ethics, and Theology for the Online-Engaged Church. 2015.

Moss, H., Lynch, J., & O’Donoghue, J. (2018). Exploring the perceived health benefits of singing in a choir: an international cross-sectional mixed-methods study. Perspectives in Public Health, 138, 160–168.

Nadeak, R., Nainggolan, K. T. A., Hutabarat, W. N., & Hombing, H. B. (2023). Peraturan Tentang Mezbah didalam Keluaran 20: 22-26. Tabsyir: Jurnal Dakwah Dan Sosial Humaniora.

Ocran, D. S. (2019). Changes In The Music Of The Liturgy Of The Methodist Church Ghana: Influences On The Youth.

Ombuoro, K. E., Ogal, T., Papu, J., Musvosvi, J., & Osei-Bonsu, R. (2022). Developing spiritual revival and discipleship program to uplift the spiritual standards of Bamburi great news church members. Journal of Humanities and Social Sciences.

Overton, D. P. (2020). Singing through Clenched Teeth. Journal of Communication and Religion.

Pavlović, B. M. (2020). Singing throughout history and pedagogic practice. Zbornik Radova Uciteljskog Fakulteta Prizren-Leposavic.

Proctor, T. W. (2022). Demonic Bodies and the Dark Ecologies of Early Christian Culture.

Reid, D. A. (2023). Faith Dimensions in the older Testament. Expository Times, 134, 236–236.

Roberts, M. (2022). Toward a Distinct Identity: The Caribbean Moravian Praise Liturgy Book. Liturgy, 37, 64–72.

Simakova, A. (2023). The church-singing art of Mari region in the late 19th — early 20th centuries. St Tikhons University Review Series V Christian Art.

Tantra, C. E., & Peters, M. A. (2021). J. S. Bach’s Church Cantatas and Church Music Today. Veritas: Jurnal Teologi Dan Pelayanan.

Wiśniewski, P. (2014). Nieszpory – śpiewana modlitwa Kościoła. 25, 129–148.

Zim, R. (1987). English Metrical Psalms: Poetry as Praise and Prayer, 1535–1601.

Волчков, А. (2020). Review of: History And Practices Of Meetings In The Early Church Provides Insight. Saint-Petersburg: Saint-Petersburg Christian University Publishing house, 2018. 401 p.; table. (Monographs Saint-Petersburg Christian University). ISBN 978-966-8957-55-0. Библия и Христианская Древность.

Ademiluka, S. (2023). Music in Christian worship in Nigeria in light of early missionary attitude. Verbum et Ecclesia.

Austell, & Robert, M. (2009). Biblical Worship through Music.

Azevedo Greenwood, S. (2019). Singing About the Creation in Christian Worship: The Creation of a Christian Environmental Consciousness. 251–269.

Baitner, H. (2020). Levitical Singers in Rabbinic Sources: Echoes of an Ancient Dispute. Journal for the Study of Judaism.

Bavliance, A. (2021). The concepts of Theological Principles in morality literatures and in the Holy Bible. Indian Journal of Multilingual Research and Development.

Bell, D. B. (2024). The Treatment of Unflagged New Testament Code Switching in English Bible Translations. The Bible Translator, 75, 5–22.

Belomytsev, A. (2022). Modern Worship music and historical grounds for the use of instrumental music in Christian Worship. Философская ÐÅысль.

Bennett, T. A. (2022). Is New Testament Theology Sufficiently Theological? Religions.

Bigler, N. R. (2018). Musical form in Hymns of the Church of Jesus Christ of Latter-Day Saints.

Brown, J. E., Mulukom, V., Jong, J., Watts, F., & Farias, M. (2022). Exploring the relationship between church worship, social bonding and moral values. Archive for the Psychology of Religion/ Archiv Für Religionspsychologie, 44, 3–22.

Chryssides, G. D. (2014). The Jehovah’s Witnesses’ Changing Hymnody. 16, 82–95.

I. B. (2015). Praise and Worship Singing Insightful Bible Message Time for Prayer Time for Fellowship.

Cobb, C. (2024). Enslaved Women, Women Enslavers: Kyriarchy and Intersectionality in the New Testament. Journal of Feminist Studies in Religion, 40, 43–60.

Dargan, W. T. (2006). Lining Out the Word: Dr. Watts Hymn Singing in the Music of Black Americans.

Dulčić, F. J. L., Peña, R. N. A., Orellana, P. E. S., & Jofré, D. A. C. (2021). Do instructions overwhelm the preschool classroom? Early childhood educators’ use of instructional vs regulative directive commands. Suvremena Lingvistika.

Dweba, Z. M., Mbali, N. M., & Rashe, R. Z. (2021). Selective Reading and Misconstrued Biblical Text: A Case for the Inclusion of Women in Church Governance Structures in Black South African Churches.

Fang-Hsieh, & Runnels, J. (2003). An Annotated Bibliography of Church Music.

Frye, M. (2016). Retelling Inspired Stories: An Overview of Preaching Biblical Narrative.

Griffith, P. (2018). The role of musical composition in promoting church unity.

Hannan, S. (2023). Pedagogical reflections on New Testament Apocrypha: More Noncanonical Scriptures, volume 2. Studies in Religion, 52, 502–509.

Harbison, P. (2022). Old Testament prefigurations of New Testament events on Irish high crosses. Proceedings of the Royal Irish Academy: Archaeology, Culture, History, Literature, 118C, 123–139.

Hearon, H. E. (2013). Music as a Medium of Oral Transmission in Jesus Communities. Biblical Theology Bulletin, 43, 180–190.

Hedrick, B. L. (2008). Enhancing the biblical understanding of instrumental music in worship for the members of the Metro Instrumental Directors Conference.

Hegy, P. (2021). Worship and culture: endogenous and exogenous factors in a local church. SN Social Sciences, 1.

Hill, D., & Oehler, M. (2024). Epigraphy and New Testament Exegesis. Religions.

Hooker, L. (2014). The Kodály and Rajkó Methods: Voices, Instruments, Ethnicity, and the Globalization of Hungarian Music Education in the Twentieth Century. Hungarian Cultural Studies, 6, 130–147.

Horrell, D. (2022). The Ethical Challenge of Decolonisation and the Future of New Testament Studies. Studies in Christian Ethics, 36, 36–57.

Hronicles, Hurch, & Usic. (2012). BACH, CHRONICLES AND CHURCH MUSIC.

Hylen, S. E. (2022). The Manliness of Women and the Social Construction of Gender in the New Testament Period. Novum Testamentum.

Jooste, S. N., & Potgieter, J. (2020). The legacy of singing Scripture only in the Reformed Churches in South Africa: The regulating role of the Word from Heidelberg to Dordrecht. 54, 8.

Kgatle, M. S. (2019). Singing as a therapeutic agent in Pentecostal worship. Verbum et Ecclesia.

Khulusinniyah, K. (2023). THE IMPORTANCE OF LEARNING MORAL VALUES IN EARLY CHILDREN. Al-Risalah.

Kim, J. (2021). Liturgical Psalm-singing in the Early Church and the Protestant Reformation¯: From the Perspective of Full, Active, and Conscious Participation in Liturgy. Theology and Praxis.

Klimova, I. V. (2024). The Terms Selete and Pause in the Manuscripts of the Productions of The Seven Joys of Mary in Brussels: the Significance and the Functions. Contemporary Musicology.

Kurfees, M. C. (2017). Walking by Faith: Origin of Instrumental Music in Christian Worship.

Leersum-Bekebrede, L. (2021). Worship with Children: Agentive Participation in Dutch Protestant Contexts. Yearbook for Ritual and Liturgical Studies.

Long-guan, H. (2010). Yi Ballad and Its Poem-Singing Tradition.

Lupoli, A. (2019). Boyle’s Influence on Locke’s Study of the Way to Salvation. International Archives of the History of Ideas Archives Internationales d’histoire Des Idées.

Maaren, J. V. (2023). How can the New Testament writings be within Judaism? Distinguishing ways of asking and answering the question. Zeitschrift Für Die Neutestamentliche Wissenschaft Und Die Kunde Der Älteren Kirche, 114, 264–303.

Mabuka, A. R., Hartati, R. A. D. S., & Dumais, F. (2024). ANALYSIS ON THE ROLE AND FUNCTION OF SINGERS IN WORSHIP. SoCul: International Journal of Research in Social Cultural Issues.

Malembe, S. S. (2017). The influences of Christianity and commerce on the culture of popular gospel music in post-apartheid South Africa.

Marini, S. A. (2010). Tell Them We Are Singing for Jesus: The Original Fisk Jubilee Singers and Christian Reconstruction, 1871-1878. Church History: Studies in Christianity and Culture, 81, 229–231.

Mccann, J. C. (1993). A Theological Introduction to the Book of Psalms: The Psalms as Torah.

Nwaomah, S. M., Osier-Bonsu, R., & Onongha, K. (2014). Music and Worship in Africa: Adventists’ Dialogue from Biblical, Historical, and Cultural Perspectives.

Odiase, Rev. Y. (2023). Theological and Biblical Foundations for Performance Ethics in Congregational Worship. Advances in Social Sciences Research Journal.

Porter, S. E. (2022). New Testament Theology and the Greek Language.

R., F. D., Joseph, S. A., Mathew, L. L., & S., S. (2024). JINGLE BELLS IN THE HISTORICAL WAYS OF CAROL SONGS. ShodhKosh Journal of Visual and Performing Arts.

Robertson, A. (1912). Book Review: III. Practical Theology: Instrumental Music in the Worship, or the Greek Verb Psallo. Review & Expositor, 9, 129–130.

Ruth, L. (2021). Confessions of a Liturgical Historian: A Journey of Rethinking the Bible’s Importance When Discussing Worship; or, What I Am Now Learning from Pentecostals and Evangelicals. Liturgy, 36, 49–59.

Sadeghiyan, R. (2016). Place of worship, its status, and functions in the Bible (the Old Testament and the New Testament). Asian Journal of Research in Social Sciences and Humanities, 6, 2183–2195.

Schreiner, T. R. (2005). OF WOMEN IN THE CONTEXT OF MALE LEADERSHIP¯: A SURVEY OF OLD AND NEW TESTAMENT EXAMPLES AND TEACHING.

Silva, M. S. (2020). A tradição e o contemporâneo nas vozes de Clementina de Jesus e Sandra de Sá: duas décadas de Música Preta Brasileira. 7.

Smith, F. W. (n.d.). How to Praise God Today or Can We Have Instrumental Music in the Worship.

Solomon, N. (2021). Revelation in the Jewish Tradition.

Staalduine-Sulman, E. (2023). The Intricate Relationship Between Targum Jonathan and the New Testament Exemplified by Targumic Statements in Acts 13:21–22 and James 5:7–8. Collectanea Theologica.

Verner, I. (2023). On the Question of European sources for the Translation of the New Testament by Epiphanius Slavinetsky and Euthymius Chudovsky (1670–1680s): Greek Manuscripts and Printed Editions. Slovene.

Warkentin, L. (1987). A singing church: Music in the Pacific District.

Williams, H. W. (2018). Sacred music. Francesco Bartolomeo Conti.

Wilson, C. (2006). Just a Little Talk with Jesus: Elvis Presley, Religious Music, and Southern Spirituality. Southern Cultures, 12, 74–91.

Yende, S. (2021). The importance of understanding and making sense of Zulu traditional hymns as a symbol of expressing worship: Cognitive hermeneutics and hermeneutics of hymnody theories. HTS Teologiese Studies/Theological Studies.

ZadorozhnyÑâ€, I. (2023). Sources of Irmoses’ Canons of Baptism of Jesus and Epiphany of Church Prostopinije by Bokshay-Malynych in 1906. NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD.

주삼영. (2004). Central processing unit For singing room machinery and MP3.