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Sommario
- La Bibbia non menziona esplicitamente la musica nei sogni, ma sia la musica che i sogni sono significativi per la comunicazione divina.
- I sogni che includono musica possono simboleggiare illuminazione spirituale, guarigione emotiva o una chiamata a un culto più profondo.
- I Padri della Chiesa vedevano la musica nei sogni come potenziali canali per messaggi divini e crescita spirituale.
- La Scrittura mette in guardia dall'eccessivo affidamento alle interpretazioni dei sogni e sottolinea l'importanza di allinearle con la Parola di Dio.
Bibliografia (Clicca per mostrare)
Bibliografia:
Blumenthal, F. (2007). Jonah, the Reluctant Prophet: Prophecy and Allegory. Jewish Bible Quarterly, 35, 103.
Booker, V. A. (2021). Mothers of the Movement: Evangelicalism and Religious Experience in Black Women’s Activism. Religions.
Clarke, E. (1975). Jacob’s dream at Bethel as interpreted in the targums and the New Testament. Studies in Religion/Sciences Religieuses, 4, 367–377.
Gooden, K. (2016). Musical Contextualization in the Local Church: A Pragmatic Exploration Concerning the Philosophy and Methodology of Assimilating Sacred Music into the Worship Vocabulary of a Congregation.
Hendel, R. J. (2011). Joseph: A Biblical Approach to Dream Interpretation. Jewish Bible Quarterly, 39, 231.
Roman, R. (2013). Holy Brotherhood: Romani Music in a Hungarian Pentecostal Church by Barbara Rose Lange (review). Romani Studies, 23, 130–133.
WiÅ›niewski, Ã…Â. (2018). Religious tourism in Christian sanctuaries: the implications of mixed interests for the communication of the faith. Communication and Culture, 3, 199–220.
Kramarz, A. (2018). Christian Reception of the ‘New-Music’ Debate in the Church Fathers and Clement of Alexandria. Greek and Roman Musical Studies.
Mertseva, I. M. (2022). Alexander Ryndin’s 104 Psalm: the Problem of Expression of the Author’s Will Within the Canon. Scientific and Analytical Journal Burganov House. The Space of Culture.
Coltri, M. A. (2020). Postcolonial Interpretation: The Bible in Rastafari. Black Theology, 18, 246–262.
Cooper, A., Metzger, B., & Coogan, M. (1993). The Oxford companion to the Bible. South Atlantic Review, 59, 107.
Golan, N. (2023). The Felled Tree – metaphor and theology. Zeitschrift Für Die Alttestamentliche Wissenschaft, 135, 251–264.
Johnson, W. (2000). The Bible on Environmental Conservation: A 21st Century Prescription. Electronic Green Journal, 1, 2.
Kraus, T. (2017). Book Review: Personal and Historical Approach to the ‘Song of Exile’ (Psalm 137): David W. Stowe, Song of Exile: The Enduring Mystery of Psalm 137. The Expository Times, 128, 201–201.
Larrick, G. H. (1990). Musical references and song texts in the Bible.
Robinson-Martin, T. (2009). Performance Styles and Musical Characteristics of Black Gospel Music. Journal of Singing, 65, 595.
Sutanto, N. (2016). Reformed Catholicity: The Promise of Retrieval for Theology and Biblical Interpretation, written by Michael Allen and Scott R. Swain. Journal of Reformed Theology, 10, 77–78.
Williamson, H. (2017). Book Review: Is a Priest a Good Thing?: Lena-Sofia Tiemeyer (ed.), Priests and Cults in the Book of the Twelve. The Expository Times, 128, 201–202.
