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Adderley, & Wilfred, T. (2011). A Biblical Model Testing Visions And Dreams In Christian Ministry In The Bahamas.
Conroy, M. S. (2016). The Invisible Body of God: Paul Verhoeven’s Hollow Man. Journal of Religion and Film, 8, 3.
Rendsburg, G. A., Sternberg, M., & Berlin, A. (1987). The Poetics of Biblical Narrative: Ideological Literature and the Drama of Reading. Modern Language Review, 83, 397.
Theodossiou, E., Manimanis, V., & Dimitrijević, M. (2012). ASTROLOGY IN THE EARLY BYZANTINE EMPIRE AND THE ANTI-ASTROLOGY STANCE OF THE CHURCH FATHERS.
Brintnall, K. L. (2015). Hollywood Biblical Epics: Camp Spectacle and Queer Style from the Silent Era to the Modern Day. April 2016.
Burtsev, M. (2023). Christian images in the operas by the European composers of the nineteenth century. Aspects of Historical Musicology.
Lake, K., Land, C. S., the, I., Himalaya, E., Sikkim, O., Evershed, S., & Tashi, G. (2012). IN THE MIDDLE OF THE LOTUS¯: KHECHEOPALRI LAKE , A CONTESTED SACRED LAND IN THE EASTERN HIMALAYA OF SIKKIM.
Stasyk, M. (2019). Bible motifs in the novel «V.I.N.» by Valentyn Terletsky. Vìsnik Marìupolʹsʹkogo Deržavnogo Unìversitetu. Serìâ: Fìlologìâ.
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