圣经指标：圣经中提到了多少次音乐？

A., E. F., & A., S. (2024). The Bible and Music in African Christianity. African Journal of Culture, History, Religion and Traditions.

Alexander, D., & Coffey, J. (2003). Music , worship and the church by Christopher Hayward Summary.

Anthony, P. A. (2023). God Rock, Inc.: The Business of Niche Music by Andrew Mall (review). Journal of Religion and Popular Culture, 35, 52–53.

Baynes-Ross, F. (2022). Book Review: Aers, David: Versions of Election: From Langland & Aquinas to Calvin & Milton. Theological Studies, 83, 158–160.

Beyond Hate: White Power and Popular Culture by C. Richard King and David J. Leonard (Surrey, UK: Ashgate, 2014. 200 pp. $31.96. ISBN 978-1472427465). (n.d.).

Burdick, J. (2013). The Color of Sound: Race, Religion, and Music in Brazil.

Chenhui, S. (2021). The Bible and Chinese Church Music.

Clements, R. (2009). The Prayers of the Bible.

Cohen, J. M. (2014). There Was a Fire: Jews, Music, and the American Dream by Ben Sidran (review). Shofar: An Interdisciplinary Journal of Jewish Studies, 32, 131–133.

Cole, I. E. (2021). Going Deeper with God than King David: Cultivating Intimacy Using Hymns, Classical Sacred Songs, and Contemporary Christian Music.

Dickie, J. (2019). The Importance of Literary Rhythm When Translating Psalms for Oral Performance (in Zulu). The Bible Translator, 70, 64–81.

Donovan, M. (2013). PRESIDENTIAL ADDRESS: Dancing before the Lord: Theological Anthropology and Christian Spirituality as Graceful Partners. 53.

Fiero, G. K. (1997). Faith, reason, and power in the early modern world.

Functional Analysis of Classical Music in Film¯: Focused on \< On Chesil Beach. (2022).

Gardner, K. (2015). Critical analysis of culturally relevant pedagogy and its application to a sixth grade general music classroom.

Gerasimova, I., Zakharina, N., & Shchepkina, N. (2021). Musical Interpretation of Direct Speech in Chants of the Two-Hundredth Feasts of the Mother of God: Greek-Slavonic Parallels on Manuscripts of the 10th–17th Centuries. Vestnik of Saint Petersburg University Arts.

Hackett, L. J., & Coghlan, J. (2023). Conjuring Up a King. M/C Journal.

Hindle, D. (2006). From a Gin Palace to a King’s Palace? The Evolution of the Music Hall in Preston c1840-1914.

Hurley, A. (2010). Collapsing (New) Buildings: Town Planning, History and Music in Hubertus Siegert’s Berlin Babylon (2001). Portal: Journal of Multidisciplinary International Studies, 8.

Lessing, R. (2022). The Old Testament for a Complex World: How the Bible’s Dynamic Testimony Points to New Life for the Church by Cameron B. R. Howard (review). The Catholic Biblical Quarterly, 84, 485–486.

Mănăilescu, S. (2022). The Bible and Musical Postmodernism. Bulletin of the Transilvania University of Brașov. Series VIII, Performing Arts.

Mochere, J. M., & Kibor, Dr. E. J. (2017). Christianity and Arts: Integration of Faith and Learning Music in the Contemporary Society.

Moore, T., Hill, M., King, P. E., Palkovitz, R., Dollahite, D., & Marks, L. (2018). Loving God, Loving Others: The Sacred Among American Mainline Protestant Families. Strengths in Diverse Families of Faith, 54, 733–748.

Nam, R. (2013). Economics and the Bible.

Ngara, R. (2013). Shangwe Music for Spiritual Rituals: A Symbolical Enactment. Studies of Tribes and Tribals, 11, 127–133.

Pacciolla, P. (2017). Drumming auspiciousness¯: the pakhāvaj of Nathdwara and the cult of the king-god.

Petrovic, S. N. (2014). Understanding Religion and Popular Culture: Theories, Themes, Products, and Practices. Journal of Religion and Popular Culture, 26, 373–374.

Putrawan, B. K., Tanasyah, Y., Negoro, A. P., Tandana, E. A., & Bulan, S. (2022). King David Between Power and Adultery: Jewish Perspectives on David and Bathsheba’s Relationship. Pharos Journal of Theology.

Pyper, H. (2012). The Unchained Bible: Cultural Appropriations of Biblical Texts.

Quindag, S. (2024). When the morning stars sang together: Considering theodicy and music during suffering. Arts &amp; Communication.

Simon, U. (1989). Women in the Struggle for Power. 79–89.

Situmorang, D. D. B. (2022). Integration between humor and music therapy to increase spirituality and meaning in palliative and supportive care. Palliative & Supportive Care, 1–2.

Spar, I. (2020). Inhabiting the Promised Land: Exploring the Complex Relationship between Archaeology and Ancient Israel as Depicted in the Bible. History: Reviews of New Books, 48, 125–144.

Stiles, K. (2017). The subject of the narrative is the subject: the analogous formation of our own identity through processes of perception and identification.

Tubagus, S. (2023). 圣经中教会音乐的意义。Tambur¯: 音乐创作、研究与表演期刊。

Wainwright, E., & Culbertson, P. (2010). Book Review: The Bible in/and Popular Culture: A Creative Encounter. Interpretation: A Journal of Bible and Theology, 65, 439–439.

Acton, G. (2013). Sympathy for the Devil.

Adamko, R. (2018). Kult eucharystyczny na podstawie średniowiecznych mszalnych rękopisów węgierskich. 65, 7–23.

Alexander, D., & Coffey, J. (2003). Music , worship and the church by Christopher Hayward Summary.

Barker, M. (2007). Temple Themes in Christian Worship.

Barton, J. (1984). Prophets, worship, and theodicy¯: studies in prophetism, biblical theology, and structural and rhetorical analysis, and on the place of music in worship¯: papers read at the Joint British-Dutch Old Testament Conference held at Woudschoten, 1982.

Barton, J. (2021). R. W. L. Moberly, The God of the Old Testament: Encountering the Divine in Christian Scripture. Theology, 124, 442–443.

Billings, B. S. (2012). As some of your own poets have said: Secular and non-canonical literature in the New Testament and some (post)modern parallels. The Expository Times, 123, 479–485.

Bloemfontein, M., & England, F. (2017). Music, theology, and space: listening as a way of seeking God. Acta Theologica, 37, 18–40.

Delcamp, H. J. (2013). An Investigation of Ancient Hebrew Music During the Time of the Old Testament: Especially the Role of Music in the Lives of Israel’s First Two Kings, Saul and David.

Elder, & Howard, W. (2009). Scripturality of Instrumental Music in the New Testament Church.

Forbes, A., & O’Neill, D. (2011). Wither’s Hymnes and Songs of the Church.

Galbraith, D. (2010). Aspects of Koinonia¯: developing an ecclesiological approach to music in contemporary Christian worship.

Gill, R. (2024). Human Perfection, Transfiguration and Christian Ethics.

Gray, H. (1947). The Music of The New Testament Church.

Harrán, D. (2015). Music in Hebrew Writings from the Bible to the Early Seventeenth Century. 1–26.

Heesch, M. (2006). Händel und das Evangelium¯: Versuch einer geschichtlichen Einordnung und Skizze einer theologischen Interpretation des Textbuchs zum Messias.

Hornby, E. C., Fernández, D. A., Gutiérrez, C. J., & Scullin, D. (2021). Processional melodies in the Old Hispanic rite. Plainsong and Medieval Music, 30, 99–118.

Kappner, G. (1959). The Church Service and Music.

Kyfenko, A., & Romanova, T. (2022). FEATURES OF WORK WITH SACRED CHORAL WORKS IN THE CLASSES OF THE EDUCATIONAL CHORAL COLLECTIVE. Collection of Scientific Papers of Uman State Pedagogical University.

Lane, C.-A. A. (2020). Christian Leaders as Artists: A Three-Ring Cord of Creativity, Imagination and Innovation. 115–133.

Lessing, R. (2022). The Old Testament for a Complex World: How the Bible’s Dynamic Testimony Points to New Life for the Church by Cameron B. R. Howard (review). The Catholic Biblical Quarterly, 84, 485–486.

Lott, A. J. (2011). Re-presentation of Biblical Verse through Musical Means.

Lyons, J. (2017). From Silence to Golden: The Slow Integration of Instruments into Christian Worship. 8, 13–22.

Marek, A., & Lisiecki, T. (2024). Flourishing through Prayer by Singing in a Liturgical Choir. Religions.

McGee, M. B. (2018). Serving the Body of Christ in Corporate Worship: An Apologetic for Embracing Multiple Styles of Music.

Olivier, I. (2022). The Strategic Task of the Church in Creating Spaces for Spirituality. Transformation: An International Journal of Holistic Mission Studies, 40, 3–15.

Praise of Mary in Song: The Early Hymnography. (2021). The Virgin Mary in Byzantium, c.400-1000.

Presseisen, F. (2020). Muzyka wyrazem duchowości – kilka refleksji na temat korelacji słowa i muzyki w Bachowskim chorale bożonarodzeniowym Lobt Gott, ihr Christen, allzugleich BWV 732. 18, 47–64.

Sin, A. K. K. (2024). Psalm 49. Interpretation: A Journal of Bible and Theology, 78, 151–153.

Ssj, F., & Therese, M. (1975). Music in Worship in the Old Testament.

Thomson, & Craighead, A. (2002). Driving through Las Vegas.

Webber, R. (1992). The Biblical foundations of Christian worship.

Wilson-Dickson, A. (1992). The Story of Christian Music: from Gregorian Chant to Black Gospel, an Authoritative Illustrated Guide to All the Major Traditions of Music for Worship.

강영애. (2007). í•Å국의 煉禱를 통해 살펴본 가톨릭 전례음악. 28, 87–175.

邱少頤. (2006). 巴赫《èâ€Ã¦Â¯ÂÃ¨Â®Å¡Ã¤Â¸Â»Ã¦â€ºÂ²Ã£â‚¬â€¹(Magnificat in D)崇高性之記號學分析－以第三é¦â€Ã£â‚¬ÂÃ§Â¬Â¬Ã¥â€ºâ€ºÃ©Â¦â€Ã§â€šÂºÃ¤Â¾â€¹. 1–40.