Bijbelmysteries: Wat symboliseert Babylon in de Bijbel?

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Barbara, & Rossing, R. (2002). Drawing upon and considering most of the recentscholarship on the city visions in Revelation ,.

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Kwiatkowski, D. (2018). The origin and theological content of the Litany of the Most Holy Name of Jesus. Poznańskie Studia Teologiczne, 32, 165–179.

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Llavador, A. (2020). La imagen del carnero en el Sacrificio de Isaac. Continuidad y variación de las imágenes en la cultura occidental. 93–102.

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Matusova, E. (2015). The meaning of the Letter of Aristeas¯: in light of biblical interpretation and grammatical tradition, and with reference to its historical context.

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McKinlay, D. B. (1999). Matthew B. Brown and Paul T. Smith. Symbols in Stone: Symbolism on the Early Temples of the Restoration. 11, 7.

Melis, A., Swenson, R., & Lewis, D. (2013). Good Morning, Babylon: The Cathedral Is a Movie. Framework: The Journal of Cinema and Media, 54, 82–84.

Milanovic, L. (2023). Ever ready throne: Reassessing the role of hetoimasia in the church of the virgin Eleousa in Veljusa. Zbornik Radova Vizantološkog Instituta.

Miller, M., Zvi, E. B., & Knoppers, G. N. (2015). The Economy of Ancient Judah in Its Historical Context.

Nida, E., & Taber, C. R. (2011). Dynamic Equivalence and Its Daughters¯: Placing Bible Translation Theories in Their Historical Context.

Portraiture, D. (2021). Hidden Persuaders¯: Religieuze symboliek in van Dyck's portretkunst met een noot over Dürer.

Ro, J. U. (2011). The Theological Concept of YHWH’s Punitive Justice in the Hebrew Bible: Historical Development in the Context of the Judean Community in the Persian Period. Vetus Testamentum, 61, 406–425.

Römer, T. (2013). The Horns of Moses. Setting the Bible in its Historical Context.

Salvesen, A. (1997). The Aramaic Bible: Targums in Their Historical Context. Journal of Jewish Studies, 48, 380–381.

Seljaas, H., & Smith, J. (2016). SCANDINAVIAN MORMONS AND THEIR ZION.

Stojanović, M. (2022). Origenes en liturgische symboliek: De leer van de grote Alexandrijnse theoloog over kerkelijke kunst. Sabornost.

Straczyński, K. (2022). Cerkiew Zwiastowania NMP w Supraślu i jej freski. Elpis.

Sweeney, M. A. (2020). Ezekiel in Its Historical Context.

Toler, H. H. (1994). Rivers of Babylon: A Harvard Man Brings the Gospel to the Crack House.

Vyas, R., & Kala, S. (2021). Exuberance and Enchantment in Sean O’Casey’s Later Plays. International Journal of English and Literature, 6, 457–459.

Waldstreicher, D. (2022). Slavery and Sacred Texts: The Bible, the Constitution, and Historical Consciousness in Antebellum America by Jordan T. Watkins (review). Journal of The Early Republic, 42, 473–476.

Wheatley, W. (2013). Historical and Theological Backgrounds of the Whore of Babylon in Revelation 17 & 18 in a Jewish Context.

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Yunes, R. (2018). The false I and the true I From Babylon to the New Jerusalem How to read the signs of time.

Zagożdżon-Łyszczarz, J. (2021). Motyw „wieÅ›nej rycerki, czyli Å›wiatowe sprawy pani wrony w twórczoÅ›ci MikoÅ‚aja Reja. 49, 87–101.

Sidorova, O. I. (2024). The Mother Church Image in the Context of Early Christian Catechesis. Khristianskoe Chtenie.