Russian 
English 
Chinese 
Dutch 
Arabic 
Spanish 
Portuguese 
French 
Italian 
German 
Japanese 
Continue reading with a subscription
Get unlimited access to all our premium content and exclusive features.
Enjoy unlimited access, cancel anytime.
Краткое содержание
- В Библии красный цвет символизирует жизнь, смерть, грех и спасение, при этом кровь является ключевым воплощением этих тем.
- Исаия отмечает красный цвет как символ греха, но также и очищения, поскольку жертвы и кровь Христа предлагают искупление от греха.
- Красный цвет в пророчествах означает суд и преображение, указывая на жертву Христа и предлагая надежду и очищение.
- Учения ранней церкви и культурные сравнения подчеркивают символику красного цвета в контексте власти, силы и божественного откровения.
Библиография (нажмите, чтобы показать)
Cournarie, P. (2016). Authority between Mask and Sign: The Status of the Royal Body in Ancient Greece (Fourth to Second Centuries BCE). Annales, 71, 441–465.
Denzey, N. (2016). Biblical Allusions, Biblical Illusions: Hollywood Blockbuster and Scripture. Journal of Religion and Film, 8, 11.
Heller, A. (2007). Lions and Elephants in Tibet, Eighth to Ninth Centuries. Journal of Inner Asian Art and Archaeology, 2, 59–67.
Hoang, C. (2020). Vietnamese and Chinese Movies about Royalty. Asian Studies, 8, 135–162.
Kadari, A. (2015). Did Elijah Show Respect to Royalty. Journal for The Study of Judaism, 46, 403–429.
Лампкин, У. Л. (1958). Рецензия на книгу: II. Историко-богословские исследования: Никейские и постникейские отцы христианской церкви. Review & Expositor, 55, 319–320.
Mukuka, T. (2014). Orality as casualty: contextual and postcolonial analysis of biblical hermeneutics in Bembaland.
Neusner, J. (2001). Midrash and Postmodern Inquiry: Suggestions Toward a Hermeneutics of Indeterminacy Dr. Neil Douglas-Klotz Holwell, Dorset, England A paper presented in the History of Interpretation Group at the 16th International Meeting of the Socity of Biblical Literature.
O’Neil, P. W. (2009). Bosses and Broomsticks: Ritual and Authority in Antebellum Slave Weddings. Journal of Southern History, 75, 29.
Saikia, T. (2016). The Conspiracy of Silence in Mamoni Raisom Goswami’s the Bronze Sword of Thengphakhri Tehsildar.
Solberg, E. M. (2014). Madonna, Whore: Mary’s Sexuality in the N-Town Plays. Comparative Drama, 48, 191–219.
Tooze, G. A. (2016). Moses and the Reel Exodus. Journal of Religion and Film, 7, 3.
Watts, J. (2016). Priestly Lineages in History and Rhetoric.
Wright, M. (2002). Moses in America: The Cultural Uses of Biblical Narrative.
Abhau, J. (2020). Taking Away the Sin of the World: EgŠEimi and the Day of Atonement in John. 19, 43–58.
Asadi, S. (2019). Christianity and Islam on Salvation: A Comparative Analysis of Sacred Texts on Atonement in Christianity and Intercession in Islam. Journal of Religion and Theology.
Berson, J. S. (2013). On the Trail of the Scarlet AD.
Brooke, G., & Christ, J. (2013). Book reviews of Bible and revelation, over theological anthropology, finally to engage the question of atonement and reconciliation ‘from below’. The direction of the book, moving from a reflection on humanity, creation and sin to the saving.
Burton, E. D. (1908). The Biblical Doctrine of Atonement: IV. Atonement in Non-Canonical Jewish Literature. The Biblical World, 31, 276–289.
Dement, B. H. (1912). Book Review: IV. Religion, Philosophy and Apologetics: Man, Sin and Salvation. Review & Expositor, 9, 308–308.
Diack, H. A. (2006). Activating Exodus: The Art of Melissa Shiff. Comparative Technology Transfer and Society, 34, 58.
Ginsburskaya, M. (2011). Leviticus in the Light of the Dead Sea Scrolls: Atonement and Purification from Sin. 261–277.
Goldstein, K. (1960). THINKING AND SPEAKING. Annals of the New York Academy of Sciences, 91.
Huan, C. (2006). Sin and Atonement:The Archetype of Bride Medium in Tess of the D’Urbervilles. Journal of Yunnan Nationalities University.
Humeniuk, I. (2020). Philosophy of Red Color: Lingual and Extralingual Aspects. 15, 188–198.
Hussain, M., Ali, L., & khan, Prof. Dr. A. (2023). عیسائیت کا عقیدۂ Ú©ÙÂارÛÂ: اسلامی تعلیمات Ú©ÛŒ روشنی میں ایک مطالعÛÂ. Al-Qamar.
InÄÂiuraitÄ—, L. (2013). Semantic Meaning of Colours in John Milton’s Poem Paradise Lost. Studies About Languages, 95–103.
Li, N. (2015). Symbolic Meanings of Red and Black. Theory and Practice in Language Studies, 5, 1313–1317.
Neusner, J. (2001). Midrash and Postmodern Inquiry: Suggestions Toward a Hermeneutics of Indeterminacy Dr. Neil Douglas-Klotz Holwell, Dorset, England A paper presented in the History of Interpretation Group at the 16th International Meeting of the Socity of Biblical Literature.
Odeleye, A. O. (2020). Comparative Ethical Analysis of Sin in African Traditional Religion and Christianity.
Pàmies, L. B. (2003). Natura i semblança del color a l’Opus lul·liàuna aproximació. 43, 3–38.
Qi, Y. (2024). A comparative study of symbols between A Dream of Red Mansions and The Scarlet Letter. Region – Educational Research and Reviews.
Salih, A. M., & Salih, M. W. (2021). Basic Color Terms in the Glorious Qur’an. Koya University Journal of Humanities and Social Sciences.
Sekolah, F., Teologi, T., Yogyakarta, K., Daliman, M., Sentot, P., Sekolah, P., Indonesia, K., Wahyuni, S., Tinggi, S., & Kadesi, T. (2024). Библейское исследование прощения в Евангелии от Матфея 6:14-15 и его значение для христиан. Pharos Journal of Theology.
Seleeva, T. (2020). Symbols and semantics of the epithet in the Xingjiang Oirat version of the epic Jangar. 11.
Shea, W. (2002). Azazel in the Pseudepigrapha. Journal of the Adventist Theological Society, 13, 1.
Shultz, G. (2015). Why a genuine universal gospel call requires an atonement that paid for the sins of all people.
Tophoff, M. (2022). Harmony and Reconciliation in Daoism and Christianity: Contributions to a Contemporary Identity Discourse 1.
Wang, Y. (2011). Emotional Corresponding Relationship between Color and Music,Emotional Connection between Chinese five Colors and Chinese National Modes. Art and Design.
Weeks, A. (2008). Between God and Gibson: German Mystical and Romantic Sources of The Passion of the Christ. The German Quarterly, 78, 421–440.
áтðÑÂюú, Æ. (2015). Color as an expressive instrument of the icon.
